Discover the differences between our FlowArc and QuadraArc motorized screens. Both deliver high-quality performance—choose based on your needs!

This article provides a comprehensive comparison of our wupro cinema Black Crystal, Grey Crystal, Grey Soft, and White Soft screens, all suitable for long-throw projectors. We break down their material properties, performance, and ideal use cases.

For years, our CBSP fixed-frame screens were capped at 120", already impressive for home cinemas. Today, we’re excited to announce a new milestone: CBSP fixed-frame screens now reach 127", while floor-rising screens can go up to 130".

WUPRO Cinema introduces Lenticular UST, a new 150" screen material supporting both Fixed Frame and Floor-Rising setups. It offers seamless screens beyond CBSP limits, with excellent ambient light rejection and image quality.

This blog explains why CBSP screens, which block ceiling light, are not suitable for ceiling-mounted UST projectors, and how mounting a UST projector on the ceiling can reduce brightness and image quality.

Laser projectors are awesome, but speckle can ruin the fun. This article explains why it happens, which projectors are more prone to it (like Hisense and Valeron), and how using the right projection screen can help reduce speckle for a clearer, more enjoyable image.

Fresnel screens are famous for great image quality and handling ambient light. Lately, long-throw versions are already on the market, though they’re still improving in durability and reducing laser speckle. 

Is a Fresnel screen really the best screen out there? Let’s take a closer look at what makes Fresnel screens special — and why they might not always be the perfect fit for everyone.

When shopping for a projector screen in bright environments, you’ll often see ALR (Ambient Light Rejection) and CLR (Ceiling Light Rejection). Both enhance image quality under ambient light, but they serve different purposes — understanding the difference helps you choose the right screen for your setup.